French art movement of the late 19th century that, inspired by scientific knowledges about the physical compositions of colours, tried to render them in an exact as possible way. To this purpose the impressionists went into nature (plein-air-painting), to catch their subjects as they were. The surrounding light conditions let contours blur and the visual impression prevails (Atomization of the objective world).
This implies the representation of constructional objects (houses, squares, bridges etc.) for their own sake, thus serving not only as staffage, background, or as attribute. There were architecture pictures already in ancient Pompeji. In Middle Ages depicted constructions just indicate a certain scene. The actual architecture picture arises in the 16th century in Netherlands(f. e. “Brueghel's Tower of Babel”). Dutch artists prevailed here up until the 17th century, and were followed by Italian artists in the 18th century. In modern times the representation of architecture has become a domain of photographers.
Stretcher on canvas
Our canvas prints are handmade in our own workshop. Either the canvas print or the art print laminated on a canvas is stretched onto a quality keyless frame. Perfectly wedged and provided with a suspension, the canvas image can be hung directly. Optionally, we also offer each canvas picture framed, i.e. with floater frame. »The Dahlias, garden at Petit Gennevilliers, 1893« of Gustave Caillebotte as a canvas image also beautifies your home.